Picture takers are merely beginning to work in the studio endeavor to unravel the trouble of a sufficiently bright high-key representation by expanding the measure of light sources. They continue including increasingly more softboxes, reflectors, and umbrellas as they kept looking for a lustrous and gleaming description; that isn’t the best methodology. The favorable fundamental position of working in the studio is that you’re in excellent control of the light. You control the measure of light sources, the situation of the light sources. So instead of merely including an ever increasing number of light sources, you ought to occupy your concentration to getting every single light source to do precisely the thing you need it to do. A guide on setting up high key studio lighting is enlisted here https://skylum.com/blog/how-to-set-up-highkey-studio-lighting

Light the Background

Put one bareheaded D1 monolight on each side of the model and direct both light sources towards the foundation.

These lights will at that point go about as both foundation lights and edge lights.

Set the Key Light

The following stage is to set the key light. This will be placed directly before the model’s face. The key light is a d D1 monolight furnished with a Beauty Dish. This makes a delicate light, yet besides decent, round circles in her eyes. The key light doesn’t need to be place exceptionally high up, only marginally over her brow level – sufficiently high to not be evident in the shot!

Set the Fill Light

The following assignment is to diminish the dim shadows on the model’s neck; There ought to be no deep shadows!

Include a fourth D1 monolight outfitted with a Zoom Reflector, situated at a similar dimension as the critical light however coordinated toward the Collapsible Reflector. The Zoom Reflector was furnished with a honeycomb network to limit its light bar. This was important to keep any stray light from achieving the model’s face.